Title:
REGARDING NEW TEXTS WITH NEW METHODS

Authors:
EMRE YALCIN

Abstract:
We are faced with the fact that the "new" techniques used by contemporary theatre scripts are actually not that new, but are the consequence of the changes and conversions that are continuous in drama since the Renaissance, which constitutes the beginning of modern drama. While on the one hand of the mechanism, that triggers these changes and conversions, are great social developments and historical turning points, on the other hand are the ceaseless experiments and the search for new phraseologies of writers, actors, theorists, critics and directors, in the sequel. This study will try to focus on the literary features that are prominent in contemporary theatre scripts by drawing upon these two platforms and will put emphasis on new methods of analysis with examples that have distinctive features in terms of genre.